Sinéad O'Neill
Uprising, Glyndebourne, January 2025
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'Superbly directed by Sinéad O'Neill'
- Tim Ashley, The Guardian * * * *
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'Superbly organised and powerfully written'
- Nicholas Kenyon, The Telegraph * * * *
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Uprising, RSNO, Usher Hall, Edinburgh, March 2025
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'Raw and authentic... viscerally thrilling'
- David Smythe, Bachtrack * * * *
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'Engrossing and imaginative music theatre'
- Kate Calder, Edinburgh Music Reivew
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Amor Mundi, The Fitzwilliam Museum, Cambridge, June 2024
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'wonderful and timely'
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'It showed me the power of music'
- audience feedback
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L'elisir d'amore (revival), Glyndebourne 2023
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'slick, stylish and straight to the point...classic opera buffa at its best'
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- Miranda Heggie, The Arts Desk
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The Spectre Knight, Wexford Festival Opera, October 2022
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'Director Sinéad O’Neill and musical director, Gioele Muglialdo – along with an excellent young cast – expertly exploited the energy and charm of The Spectre Knight. O'Neill indulges the sentimentality while keeping one tongue firmly in cheek... This was a performance of free-flowing fun, greatly enjoyed.'
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- Claire Seymour, Opera Today
Pay the Piper, Glyndebourne, February 2022
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'A significant achievement' - George Hall, Opera
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'Familiar fairy tale expertly crafted' - The Stage * * * *
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'innovative...unique...a labour of love' - Mark Aspen
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Precipice, The Grange Festival, August 2020
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'O'Neill's use of the differing landscapes is wonderfully original... The whole thing is a wonderful example of what the imagination can accomplish in difficult times.' - Tim Ashley, The Guardian * * * *
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'A mirror of our times in mixed art forms... an event that's innovative, ambitious and responsive to conditions.' - David Karlin, Bachtrack * * * *
Il barbiere di Siviglia (revival) Glyndebourne Festival, 2019
'Happily revival director Sinead O’Neill has succeeded in calming down the staging while preserving
its joyful energy...' - Amanda Holloway, The Stage * * * *
'A magnificent performance of a superb production of a glorious opera.'
- William Hartston, The Express * * * * *
​'Revival director Sinéad O’Neill has taken Figaro’s razor and sharpened up the stage action.'
- Mark Pullinger, Bachtrack * * * *
Sketches made by audience member Sam Motherwell
at On the Axis of this World
Pelléas et Mélisande: Glyndebourne Festival at the BBC Proms
(semi-staging by Sinéad O'Neill) July 2018
'Undoubtedly the best-ever semi-staging of an opera at the Proms.'
- Jim Pritchard, Seen & Heard International